I’d been hearing about The Daughters for several years from actors who had participated in developmental readings of it around the Bay Area. They...

Clare Barron has been shaking up the expectations of Off-Broadway audiences and critics for some time. I first saw Baby Screams Miracle a few years...

The arc of Cabaret as a force on the cultural landscape reaches back eight decades. The novel Goodbye to Berlin by British author Christopher...

In the half-century since the world premiere of Cabaret, so much in our world has changed and yet so much remains the same. Like the giant mirror...

I believe playwrights are the prophets of our time. And it is thrilling when a play we have spent years developing opens at a moment that makes it...

The term “significant other” is a generic one. In the ultra-complex diversity of the ways we partner, it is a careful term that reveals no...

Yoga Play will be the third play by Dipika Guha to be produced by San Francisco Playhouse. The first two, The Rules and In Braunau, were world...

We met Chelsea Marcantel two years ago at the Humana Festival of New Plays in Louisville, Kentucky. This marvelous festival—where we have been...

Not only is King of the Yees written by a local playwright, born and raised in San Francisco, but it is a San Francisco story. Set in and around...