Presented on stage for in-person audiences & as an on-demand video stream
The Song of Summer
By Lauren Yee
Directed by Bill English
“Packs a surprise wallop! four expert craftspeople … with precision, clarity, thoughtfulness and grace.” – San Francisco Chronicle
Each summer, there’s a song on every playlist, radio station, and wedding dance floor; that inescapable earworm that everyone hums on the way to work—the Song of Summer. This year, that song belongs to Robbie, but his unexpected pop superstardom is far more than he can handle. When he sneaks away from a sold-out tour to return to his childhood home, Robbie must reconnect with his past and find his authentic self. The Song of Summer is a harmonious and hilarious romantic comedy about how revisiting the past can change our future.
ABOUT IN-PERSON PERFORMANCES
We have expanded our health and safety protocols to welcome audiences back inside our theatre. We require that audience members present proof of vaccination against COVID-19 or a negative test to enter the venue. Patrons are required to wear masks at all times when not eating or drinking. To promote social distancing, a one-empty-seat buffer will be placed beside each party. For more details on our protocols, click here.
*Member of Actors Equity Association. Photos by Jessica Palopoli.
ABOUT THE PLAYWRIGHT
Lauren Yee is a playwright, screenwriter, and TV writer born and raised in San Francisco. She currently lives in New York City. Her CAMBODIAN ROCK BAND, with music by Dengue Fever and others, premiered at South Coast Rep, with subsequent productions at Oregon Shakespeare Festival, La Jolla Playhouse, Victory Gardens, City Theatre, Merrimack Rep, and Signature Theatre. Her play THE GREAT LEAP has been produced at Denver Center, Seattle Rep, Atlantic Theatre, Guthrie Theatre, American Conservatory Theatre, Arts Club, InterAct Theatre, Steppenwolf, Pasadena Playhouse/East West Players, and Cygnet Theatre. Lauren Yee’s play KING OF THE YEES premiered at The Goodman Theatre and Center Theatre Group, followed by productions at ACT Theatre, Canada’s National Arts Centre, and Baltimore Center Stage. Other plays include CHING CHONG CHINAMAN (Pan Asian Rep, Mu Performing Arts), THE HATMAKER’S WIFE (Playwrights Realm, Moxie, PlayPenn), HOOKMAN (Encore, Company One), IN A WORD (Young Vic, SF Playhouse, Cleveland Public, Strawdog), SAMSARA (Victory Gardens), THE SONG OF SUMMER (Trinity Rep, Mixed Blood), and THE TIGER AMONG US (Mu). She is the winner of the Doris Duke Artist Award, the Steinberg Playwright Award, the Horton Foote Prize, the Kesselring Prize, the ATCA/Steinberg Award, American Academy of Arts and Letters literature award, and the Francesca Primus Prize. She has been a finalist for the Edward M. Kennedy Prize and the Susan Smith Blackburn Prize. Her plays were the #1 and #2 plays on the 2017 Kilroys List. Lauren is a Residency 5 playwright at Signature Theatre, New Dramatists member (class of 2025), Ma-Yi Writers’ Lab member, former Princeton University Hodder fellow, and Playwrights Realm alumni playwright. TV: PACHINKO (Apple), SOUNDTRACK (Netflix). Current commissions include Geffen Playhouse, La Jolla Playhouse, Portland Center Stage, Second Stage, South Coast Rep. BA: Yale. MFA: UCSD. www.laurenyee.com
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