Category : Program Notes

A White Girl’s Guide to International Terrorism | A Note from the Artistic Director

A White Girl’s Guide to International Terrorism | A Note from the Artistic Director

We met Chelsea Marcantel two years ago at the Humana Festival of New Plays in Louisville, Kentucky. This marvelous festival—where we have been...

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King of the Yees | A Note from the Artistic Director

King of the Yees | A Note from the Artistic Director

Not only is King of the Yees written by a local playwright, born and raised in San Francisco, but it is a San Francisco story. Set in and around...

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Mary Poppins | A Note from the Artistic Director

Mary Poppins | A Note from the Artistic Director

The version of Mary Poppins that we present on our stage hews much closer to the original spirit of P.L. Travers’s book than to the famous Disney...

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graveyard shift | A Note from the Artistic Director

graveyard shift | A Note from the Artistic Director

With a commission from Playwrights’ Horizons and other leading theatre companies, prestigious awards, residencies around the country and a budding...

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You Mean to Do Me Harm | A Note from the Artistic Director

You Mean to Do Me Harm | A Note from the Artistic Director

We feel deeply honored to have commissioned and presented the World Premiere of You Mean to Do Me Harm by Christopher Chen. A San Francisco native...

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Washed Up on the Potomac | A Note from the Artistic Director

Washed Up on the Potomac | A Note from the Artistic Director

The Sandbox Series at San Francisco Playhouse focuses on premiering brand new plays, but just “new” won't do. We assess hundreds of submissions...

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Sunday in the Park with George | A note from the Artistic Director

Sunday in the Park with George | A note from the Artistic Director

Since the prehistoric cave paintings where the human form was first represented in places like Altamira in Spain, we have all yearned to be...

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In Braunau | A Note from the Artistic Director

In Braunau | A Note from the Artistic Director

When we first read In Braunau by Dipika Guha, there were only 60 pages—around two-thirds of a play. The characters and conflict had been set in...

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A Note from the Artistic Director | An Entomologist’s Love Story

A Note from the Artistic Director | An Entomologist’s Love Story

Every world premiere arrives at our stage via its own unique path. An Entomologist’s Love Story began when Melissa Ross won an Alfred P. Sloan...

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‘The Effect’ – A Note from the Artistic Director

‘The Effect’ – A Note from the Artistic Director

Bill English, Artistic Director The inspiration for The Effect came when an actual drug trial conducted by the American pharmaceutical company...

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