July 1 to September 12, 2020
Tickets: from $45
Run time: TBA
TICKETS NOT YET AVAILABLE
OR CALL 415.677.9596 FOR INFORMATION.
Single tickets will be available on July 1, 2019.
Book by James Goldman
Music and Lyrics by Stephen Sondheim
Directed by Bill English
Music direction by Dave Dobrusky
“Follies is one of the greatest musicals ever written.” – The New York Times
It’s 1971, and theatrical impresario Dimitri Weissmann is hosting a reunion of ex-Follies performers in his crumbling theatre. The artists gather for one last time, reminiscing about the past and contemplating their future, before the theater dims its lights for good. A true theatrical event, this legendary masterpiece is considered by many to be the greatest musical ever created. Surreal, sophisticated, compelling, heart wrenching and epic in scope, Follies uses the musical theatre as a metaphor for the collapse of American innocence and naivete in the post-Kennedy years.
ABOUT THE CREATORS
Stephen Sondheim (Music and Lyrics) wrote the music and lyrics for Saturday Night (1954), A Funny Thing Happened on the Way to the Forum (1962), Anyone Can Whistle (1964), Company (1970), Follies (1971), A Little Night Music (1973), The Frogs (1974), Pacific Overtures (1976), Sweeney Todd (1979), Merrily We Roll Along (1981), Sunday in the Park with George (1984), Into the Woods (1987), Assassins (1991), Passion (1994) and Road Show (2008) as well as lyrics for West Side Story (1957), Gypsy (1959) and Do I Hear a Waltz? (1965) and additional lyrics for Candide (1973). Anthologies of his work include SIDE BY SIDE BY SONDHEIM (1976), MARRY ME A LITTLE (1981), YOU’RE GONNA LOVE TOMORROW (1983), PUTTING IT TOGETHER (1993/99) and SONDHEIM ON SONDHEIM (2010). He composed the scores of the films “Stavisky” (1974) and “Reds” (1981) and songs for “Dick Tracy” (1990) and the television production “Evening Primrose” (1966). His collected lyrics with attendant essays have been published in two volumes: “Finishing the Hat” (2010) and “Look, I Made A Hat” (2011). In 2010 the Broadway theater formerly known as Henry Miller’s Theatre was renamed in his honor.
James Goldman (Book) was an American playwright, novelist, and screenwriter, honored with an Academy Award for the screen adaptation of his own play The Lion in Winter. He is also the author of the screenplays for Robin and Marion, Nicholas and Alexandra, and White Nights; and the book for Stephen Sondheim’s stage musical Follies. Mr. Goldman was born in Chicago and was a graduate of the University of Chicago before beginning postgraduate work at Columbia University in music criticism until he was drafted into the army during World War II. In 1961 his whimsical play They Might Be Giants, about a man who believes he is Sherlock Holmes and is attended by a psychiatrist named Dr. Watson, was produced by Joan Littlewood in London and 10 years later was turned into a film starring George C. Scott and Joanne Woodward and directed by Anthony Harvey, who also directed the 1968 film version of A Lion in Winter. Mr. Goldman’s first play on Broadway was a comedy about life in the army, Blood, Sweat, and Stanley Poole (1961), written with his brother William. Other work for the stage includes A Family Affair, a collaboration with John Kander, starring Shelley Berman; Evening Primrose (1966), his second collaboration with Mr. Sondheim; Oliver Twist (1982), Anna Karenina (1985), Anatasia: The Mystery of Anna (1986), and Tolstoy (1996). Mr. Goldman’s novels include The Man from Greek and Roman (1974), Myself as Witness (1980), and Fulton County (1989).
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